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AMIT KHANNA’S JOURNEY AS A LYRICIST

 

Shantanu Ray Chaudhuri goes past many of Amit Khanna’s talents and brings fo...

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Dr SUCHETAN PRADHAN: THE CULTURE BEHIND DENTISTRY

I am in conversation with one of India’s best known practicing dentists: an implant aesthetic and laser dentist, writes Aparajita...

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THE COMMONALITY BETWEEN OTT STARS AND EUROPEAN ACTORS

Monojit Lahiri investigates to find out if what OTT stars are to Bollywood today, is what European actresses were to Hollywood...

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NEED FOR EQUITABLE GENDER REPRESENTATION IN HINDI CINEMA

A new research report by the School of Media and Cultural Studies at the Tata Institute of Social Sciences, Mumbai, reveals that on-and-off-scr...

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CHARLES DARWIN IS THE ENEMY

Satyabrata Ghosh juxtaposes the ritualistic inauguration of the new Parliament building in New Delhi on the 28th Ma...

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FIFTY YEARS AFTER GARM HAVA

Garm Hava (1974) is undoubtedly the best Indian film to capture the pain of Partition that swept the Indian subcontinent, writes O.P. Srivastav...

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‘GOOD JOB NELIIMA!’

Aparajita Krishna has this power-packed conversation with Neliima Azeem - she calls her ‘a very consummate and individua...

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NINETY-ONE CHEERS FOR HOLLYWOODS DEATHLESS BEAUTY!

Monojit Lahiri salutes Hollywood’s last super-star who was a born headliner - her 91st Birth Anniversary appr...

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YET ANOTHER STORY BESIDES PATHAAN

Satyabrata Ghosh explores why audiences at large today prefer to watch a franchise of a spy universe over a modern fairty-tale...

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WOMEN INTERRUPTED

Monojit Lahiri investigates what constitutes the attitude towards women in film industries across the world and why women film...

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